Wisdom

Mom always says, "never cut a knot, always untie it. If you can't figure out how to untie a knot, you'll never figure out how to solve your problems."

Sunday, November 13, 2011

Linda Wallace: go to see the exhibit from this link

I found this on face book today and went to check out this exhibit.  Just marvelous.  Really like this artist's work.  Sharing this with you incase you missed it.  I hope you like it.  I'll be back Monday with updates on LEFT...Happy day to all who drop by. 


Wow! Check out this amazing online exhibition from the American Tapestry Alliance, featuring Linda Wallace. http://americantapestryalliance.org/exhibitions/online-web-exhibitions/a-penelopean-space-the-artwork-of-linda-wallace/


americantapestryalliance.org
In the Infertility Series there is a strong element of loss and absence, both literally and figuratively, the cycle of creation, destruction and the possibility of rebirth. Absence is usually regarded with negativity. Un-weaving a tapestry, or partially destroying it is regarded as counterproductiv...




Linda Wallace
“Repatriation,” 2011, 19" x 25" x 1/5" 
Hand woven tapestry wool, rayon, cotton, found domestic cloth, stitching cotton thread, purchased cotton and linen backin


Linda Wallace
"Repatriation" detail




  • Linda Wallace
    "Diminishment of Hope: NonGravid 22 July” detail


  • Linda Wallace
    “Diminishment of Hope: NonGravid 28 August,” 2010, 16" x 20" 
    Tapestry: linen warp, wool weft, family heirloom linen fabric, linen yarn, cotton thread stitching, stretched Belgian linen


  • Linda Wallace
    “Diminishment of Hope: NonGravid 28 August” detail

  • Tuesday, November 8, 2011

    Few quiet things that dried today.

    today was dark and rainy...wasn't a day for gazing and dazing...except into the cauldron (oh, wait, that happened already!)  just did a little dyeing today.  I stitched for two hour straight at mom's last night before putting her to bed so on the horizon there will be an update to LEFT.  Jude video and blogs (Diaries and Spirit Cloth) were so powerful the last couple of days.  I need to think about everything she said...I think she lives in the woods because she is a wood nymph.  I think she'd disappear if she left the civilized life and went into the city.  Just dreaming.  Wouldn't it be wonderful to have a place to retreat to with just the minor needs met and no one rattling at your door.  My sister lives in Western Massachusetts, on a mountain in the Berkshires.  She teaches in Lenox.  Anyway, she doesn't like the weather there and want to be in the Southwest.  I on the other hand, well, suffice it to say, living on a mountain in a forested area - really seeing the seasons, hearing their songs (dreaming, dreaming, dreaming.)  Well, here are a few examples of my dyeing.    






    rust, mould, and a quick dip in indigo carmine


    rust, indigo carmine, redyed in onion skin

    First dye:rust, indigo carmine
    redyed in onion skin

    First dyed in indigo carmine with rust
    redyed in onion skin and painted bottom with walnut dye gue

    first dye: rust in indigo carmine,
    redyed using Jude's hoop dip in
    onions skin 

    close up of hoop dyed dip

    indigo carmine, rust beer caps
    (found objects!)

    avocado dyed

    putting a few objects in my pocket while walking mom's dog.
    Ha, you wouldn't guess that I have a BFA in photography...I learned photography doing old fashion film, black and white imagery and developed my own film and prints.  I'm not good with this digital camera stuff.  I only own one because I got it for my 25th anniversary gift from the Art Institute as an "award"/"reward" for services rendered. Ha.

    winged marvel

    This was recorded by  Sophie Windsor Clive
    Not sure which link will work but this is lovely.  If you have never seen this gathering of birds...it's really something.  Something simple and still profound for today.  Raining here so almost feels real instead of a video.  I hope one of these links works...


    http://vimeo.com/31158841




    vimeo.com
    A chance encounter and shared moment with one of natures greatest and most
    fleeting phenomena.
     


    Sunday, November 6, 2011

    Plato on my mind...

    Today I'm stitching away...it is gray, windy and probably all the remaining leaves on the trees may just have to fall.  Or so it seems.  Only the O'Henry leaf will remain, it remains for us to find it.

    I have been thinking a bit about the Allegory of the Cave from Plato's Republic.  The allegory deals with prisoners that are chained in a cave and only get to see shadows on the wall and perceive this to be reality. They have no concept of what reality really is.  (This is my summation in a nut shell.)  Of course once they are let out of the cave into the sun light and actually do see "the real," they don't know what/how to deal with it and long to return to the cave. And do.  This reminds me a little of stories you hear about blind people who have their sight restored.  They have to relearn their surroundings and people they knew by voice since their sense of reality has been altered.

     Plato also goes on to deal with the issue of Form and Idea.  Here he asserts the the non-material world  (abstraction - ideas or ideals) and not the material world of change which we know through sensation, construct  our highest and most fundamental reality.  In many ways I think this is believable.  If you think about it - what forms our ideals, the image industry...media.  (?)

    So what does this have to do with my current stitching project (LEFT)...well, it's the shadow.  I think the shadow image is the most important feature to me.
    Thinking about the shadow this way, I decided I needed to add another figure, hence, the shadow on the left emerged.  This cloth is a little darker - camera flashed washed it a bit.  I also decided I wanted to add a little dimension to the cloth...nothing to pronounced just a little more surface to introduce the concept of separation.  A boundary layer, defined as: a region of retired fluid near the surface of a body which moves through a fluid or past which a fluid moves; a bounder. Thinking that this might present a region where one body could not reach another body with noticeable ease.  


    closer look at the shadow figure

    I also added the "applique" type edge.  I brings forth the surface and contrasts the unfinished edges.  As Jude states, it a nice play with the edge. 

    In thinking about how in someway, are lives are like shadows, I started thinking about simulacra.  Theories that were presented by Jean Baudrillard.  It was a much discussed issue when I was in graduate school so forgive me for the chit chat here.  I copied the following from Wiki because it would take me forever to get it all out and I probably would make it even more confusing...I guess this is also a issue about the separation of people that social media has brought about.  That school are considering that their students not learn writing (penmanship) because most of them are typing.  Conversations are mediated through mechanical means, etc. Those few entries that Jude did with written  text instead of typing were nice...all this and more brings me to this issue (but I have to say, not all media is a negative.  It allows  me to share here with  you, and other places in the media sphere.) But still...makes one stop to think.  So could a mere shadow bring all this about? ha.


    Simulacra and Simulation is most known for its discussion of images, signs, and how they relate to contemporaneity. Baudrillard claims that our current society has replaced all reality and meaning with symbols and signs, and that human experience is of a simulation of reality. Moreover, these simulacra are not merely mediations of reality, nor even deceptive mediations of reality; they are not based in a reality nor do they hide a reality, they simply hide that anything like reality is irrelevant to our current understanding of our lives. The simulacra that Baudrillard refers to are the significations and symbolism of culture and media that construct perceived reality, the acquired understanding by which our lives and shared existence is rendered legible; Baudrillard believed that society has become so saturated with these simulacra and our lives so saturated with the constructs of society that all meaning was being rendered meaningless by being infinitely mutable. Baudrillard called this phenomenon the "precession of simulacra".

    "Simulacra and Simulation" breaks the sign-order into 4 stages:
    1. The first stage is a faithful image/copy, where we believe, and it may even be correct that, a sign is a "reflection of a profound reality" (pg 6), this is a good appearance, in what Baudrillard called "the sacramental order". The page six refers to the volume titled Selected Writings. 
    2. The second stage is perversion of reality, this is where we believe the sign to be an unfaithful copy, which "masks and denatures" reality as an "evil appearance - it is of the order of maleficence". Here, signs and images do not faithfully show us reality, but can hint at the existence of something real which the sign itself is incapable of encapsulating.
    3. The third stage masks the absence of a profound reality, where the simulacrum pretends to be a faithful copy, but it is a copy with no original. Signs and images claim to represent something real, but no representation is taking place and arbitrary images are merely suggested as things which they have no relationship to. Baudrillard calls this the "order of sorcery".
    4. The fourth stage is pure simulation, in which the simulacrum has no relationship to any reality whatsoever. Here, signs merely reflect other signs and any claim to reality on the part of images or signs is only of the order of other such claims.
    So there it is...or here it is...or was. My update. 

    Wednesday, November 2, 2011

    Amazing acts of Nature

    Found this on a friend's FACE book post.  Really something to see:





    The Silver Lining, The Spider Webs! An unexpected side-effect of the flooding in parts of Pakistan has been that millions of spiders climbed up into the trees to escape the rising flood waters. Because of the scale of the flooding and the fact that the water has taken so long to recede, many trees have become cocooned in spiders webs. People in this part of Sindh have never seen this phenome...non before but, they also report that there are now far fewer mosquitoes than they would expect, given the amount of stagnant, standing water that is around. It is thought that the mosquitoes are getting caught in the spiders web, thus, reducing the risk of malaria, which would be one blessing for the people of Sindh, facing so many other hardships after the floods...!!!

    Tuesday, November 1, 2011

    LEFT and the color of memory

    Prep sketch for LEFT. 
    Have you ever consider the color of memory.  


    Today I remembered my dream from last night. Perhaps, I felt as thought I hadn't dreamt for a long time or if I had I was not remembering.  It's been hard to get a full, continuous amount of sleep when sleeping over at my mom's.  She wakes up almost every other hour and I along with her to ensure her safety and also that she just goes back to sleep. 

     So my dreams concerned an old friend to whom I had written yesterday with an update on my situation.  We were very close at one time but drifted.  People drift.  Lives go on sometimes in ways and waves unforeseen.  I thought we'd always stay close, and maybe in a way, absence is a form of closeness.  So in the dream I wandered around this arrangement of rooms that can best be described as labyrinths.  Mazes of different colors (pastels no less...which I would never have picked as colors that I fancy!) But then at the end of the dream...he was gone again.  This time the image was very different...sepia toned.  Lovely colors of walnut cloth dipped by magic fingers! The color of Eau de vie de marc. This is actually a brandy made from pomace - marc in French.  You might be more familiar with the term grappa.  It is a clear brandy type beverage that might have some sediment.  I use to kid my friend that it was the water from the life of marc.  In the dream that is actually how it ended.  My friend had vanished (the magic of dreams is that anything happens - right) but instead there was a little niche with a water fountain.  The color was so intensely sepia.  It was rich...when I awoke, my first thought was of the Eau de vie...that made me think about, "does memory have color." 

    Looking at the image of the "prep sketch" the edge are obvious what we called faded, yellowed, aged.  There is even a musty smell to the page.  (does memory have odor?)  When we want to antique an image, we have it tinted most of the time "sepia" but sometime blue (cyan.)  We tend to think of old as Black and White images...digital is full spectrum color.  Technicolor. Photographs/film will fade to a reddish color.  (there is a chemical reaction on the acetate film base and moisture that will also crack the surface of the film...another image of aging...surface alteration: wrinkles/lines)  We tend to refer to elderly folks as having a greyish tone.  And when we lack oxygen - we turn blue. (As an aside, Joan Didion's new book was released today:  Blue Nights.  It is a memoir for her daughter.)  The blue refers to location at certain latitudes where there are long summer evenings - little darkness. Patina, also covers a more vibrant color...memory is held under the bluish cast.  





    My cloth, LEFT, has to do with memory, past, remembering, loss.  The color was picked to evoke that sentiment.  It is suppose to make you think of the "back then."  The place, "the past, is a different country.  They do things differently there" kind of thinking.  The quote is from the Go Between, by L.P. Hartley.  
    The cloth was dyed in walnut, double dipped with vinegar.  The "door" opening, top right, has a brighter orange color - that was an additional dying with metal - to get rust coloring.  Rust is passage of time, elements, change.  The band around the "amber/umber" color is a cloth that is "dyed" with (mold stain.)  I left the cloth - a pale pinkish cloth - wrapped in plastic (so as not to lose any moisture) for a good period of time 6-9 month!) to promote the mold growth.  Washing it made the "blackness" fade a little to a bluish (payne gray) color.  The thread that I'll use too, has been selected to keep in the same color scheme.

    So when you think of the past/memory, do you see it in color, monochrome...or dark like a shadow.  Is the shadow following you.  In a linear sense, is the shadow then, your past perhaps. 


    Latest stitched figure, LEFT, detail.

    Discipline and being good to yourself

    Thoughts to consider.  Read over at Sandra Reford's blog, link over at the side bar, the following under the heading of DISCIPLINE:

    Discipline  


    Being an artist is like every other job. You have to go to your "office" every day and work.

    Penny Berens stitches 5 hours a day.
    Judith Martin spends 5 hours stitching, 3 hours in studio designing and 2 hours researching. That's a 10 hour day.
    Australian artist Dijanne Cevaal dedicates 50 hours per week to her art. That includes blogging, writing articles, teaching, designing, dying and making.
    and ofcourse I can't remember where I read this additional comment, the person said that they thought that Jude stitches in her sleep.  That I believe as well.  How do you do it Jude. 


    This is a quick post for the moment, mostly because I've had this on hold and if I don't publish it...I won't remember why I wanted to share it...


    I think the reason had something to do with the fact that we need to keep focus and put time aside to do what essentially makes us who we are.  Happy to be accomplishing things - big, small, important or not, what we do for ourselves to define ourselves is as important as brushing your teeth, washing your face and getting up in the morning.  This is important to me because I watch my mother slowly forget what sparked her days.  She sings now, odd you might think.  I don't think so.  I think she sings because music does have a calming affect but also because I think it is a way for her to remember.  There is rhythm, repetition, and reference to processes that the mind uses....anyway, remember to remember. 


    There is a shop that some of you might have access to or have heard of, Paper Source.  It is overpriced but they have a lot of eye candy there so a visit is worth just the temptation to touch.  If you get a chance find one.  I know they are here in Illinois and I believe they are also expanding - Well, I mention this because one of their logos is "do something creative everyday."  Good quote to remember. 


    More on sewing, stitching is in the making...