Wisdom

Mom always says, "never cut a knot, always untie it. If you can't figure out how to untie a knot, you'll never figure out how to solve your problems."
Showing posts with label WIP. Show all posts
Showing posts with label WIP. Show all posts

Monday, December 17, 2012

cheer for the holidays

Wanted to wish all of those who drop by, a warm and joyful season.  I've been stitching away without completing too much however, 


this is the piece (well, one of the many UFO-WIPs) I'm working on at the moment.  The text is in process.  It will read, "two sided story, once told."  It's stitched on an old vintage quilt.  The heart is made from some scraps of fabric samples.  It needs work on the edges as well but it's nice in the hand. 

Last week Karen Ruane's "embroider, embellish, create" class EEC had it's last on-line lesson. (The link is the the flickr group so you can see how wonderful the work was from that group.) 

My cloth is not completed.  It's a piece I'm working on for my mum.  I don't know if I'll get it ready for the upon gift day but her birthday is in January (she'll be turning 92) so by then it should be put together. 

Here's where it's at - the pinned stage:



and the last little piece I'm stitching upon now:


This work has been very different for me.  First the colour is white, for the most part. Also, there is a lot of "fancy" stitch work going on.  But, as different as this is from the things I usually show - it is closer to a picture of my mother - soft, vintage cloth that has known something of life - and hopefully representing the beautiful life that I see in her face. 

Well, happiest of holidays - and until the New Year - thank you. 

May I be a better blogger in 2013.  

Wednesday, October 3, 2012

WIP:wednesday, nothing finished/a lot started

I can tell the days are getting cooler.  My kitties are starting to snuggle - and it is comforting and warm but they also think my thread is a toy...

Nevertheless.  I feel like a squirrel putting away her inches, paper pieces and base cloths readying for a long cold winter.

So without delay: what's awaiting the needle.


This exercise was to try and piece together an oak leaf, the subject of most of my work this year, using paper piecing into shaping the "patches" together.  First I created the drawing and made the template which I them cut to use for paper piecing..




I then stitched it to a base cloth and coupled it with an outline of the leaf.  It too is divided (pencil lines) into a nine patch which will just be stitched.  

Here is another version of a nine patch...just using triangle templates and the leaf for inspiration.  The 90 degree angles are fine to stitch but the 45 degree angles - well, it rhymes with stitch (the word I'm thinking of.)  This is just a little sampler to try out ideas. 


And now for the true nine patch inch by inch method.  Some are tacked and basted and some are just pinned.


 And just in case there is nothing else to do, make more paper pieces.
 I'll keep the progress reports going. Still working on my other projects too: the jacket and a few more patches for holes I've been finding in my jeans...and embellishing a sweater for my sister and the owl is still hooting, "what about me, what about me...i'm still waiting to be finished....what about me...."

Keep warm if your weather is getting cooler - Oh, my October already!

Sunday, March 18, 2012

soundless sunday

a touch of summer in the air so i though i'd stitch up a little piece to reflect that (this is still a WIP) but with the warm weather i thought my cloth needed to show a little bit of a green petticoat as well:
Now
catching up on a few fascicles that i have completed...

The first set is fascicle 3

 Back Cover (left) contains the daily journal log that i keep: weather, words, and the table of contents.  Front Covers (right) are the days worked.




The second set is fascicle 4 (I think my favorite to date)

 This one took a while to complete but it was the one that i think i lingered over because i liked watching the stitches form.

 I placed a few beads on this following.  My sister sent them to me to try to work with and since I had never used beads before this was an experiment.  I can see them being used but it would have to have intention and purpose to make them work, i think.  Still - it was an interesting thought.
I'm still playing with the negative versus positive page lay-outs and on fascicle five I tried doing that as full page spreads, so the cover is the negative and the center-fold is the positive.

Now I'm awaiting the coming bounty of green fresh oak leaves...over night as by magic.

We've had almost 5 days now in and around 80.  To be honest too warm too soon.  The garden NEEDS attention and probably go straight to sowing beans and forget the peas! No spinach either but I grow sorrel so that makes up for the spinach.  I've got a few tulips and daffodils open and the forsythia as well is in color.
Hope your gardens are growing and stitches flowing.

Saturday, December 3, 2011

Eyes and I alone

Eyes of zani
This is my first attempt in response to Jude's eye posting...the outline of the two heads was a new cloth that I was contemplating: "Say what you mean, do you mean what you say..." but then I decide to put the eyes on there after listening to Jude's initial talk about eyes.  If you think this is scary, you should see the photos of the actual eyes.  These are my eyes taken first thing is the morning after a restless night...thoughts of character, wouldn't you say!!!! Anway, I will proceed to embroider/embellish these but will also try out some of the suggestions Jude made on December 3rd = opening, portals, apertures...rings of vision.  I'm loving this exercise - hope it frees up some of my thinking. I also selected the category of mending, because I feel that everything I do, at least, is mending a part of me - somehow.
Don't look now but these are the other eyes..

And now for "subject for a short story."  I'm thinking that if I post somethings things unrelated I will have a "column" called, "subject for a short story."  "Subject for a short story" is a refrain that is found in Checkhov's
The Seagull.  One of the characters in the play walks around with a notebook in his pocket and a pencil and when something catches his interest he will jot it down, be it overheard conversation, the color reflected off of a young girls dress, or the quality of one of the characters, all these become, "subjects for a short story."  But in the end, all these notations are just that, a total, complete picture never fully emerges because we are all, after all, just "subjects" in a short story.



Scientists Unlock the Mystery Surrounding a Tale of Shaggy Dogs

ScienceDaily (Nov. 24, 2011) — Researchers from the University of York have produced the first clear evidence that textiles made by the indigenous population of the Pacific coast of North America contained dog hair.




Classical blanket catalogue no. E2124, Department of Anthropology, National Museum of Natural History (NMNH), Smithsonian Institution. (Credit: Photo by Donald E. Hurlbert)
In recent years, scientists have hotly debated whether textiles such as blankets and robes made by the skilful Coast Salish weavers before contact with Europeans were made of dog hair as oral histories have claimed.
Coast Salish oral tradition refers to a special dog which was bred locally until the mid 19th century for its woolly hair or fleece for use in the textile industry.
Using highly sensitive equipment at the University's Centre for Excellence in Mass Spectrometry, York researchers from BioArCh (Departments of Biology, Archaeology and Chemistry) analysed the protein composition of 11 textiles in different locations, representing 25 samples in total.
The samples were taken from artefacts in the Smithsonian's National Museum of Natural History and National Museum of the American Indian collections and included blankets, a sash and a robe of fur. Some of the textiles were collected during the American expeditions to the West Coast, including the Lewis and Clark (1803-1806) and Wilkes (1838-1842) expeditions. The samples dated mainly from early to mid 19th century.
Researchers found evidence of dog hair in the robe of fur and six of the woven textiles, primarily in a blend with goat hair.
However, the results published in the journal Antiquity, show there is no real proof of a preference for dog hair in high status fabrics and the researchers did not find any textiles made entirely of dog hair. Instead, researchers conclude that dog hair appears to have been used to supplement mountain goat hair, possibly as a bulking material.
Surprisingly too, the results also indicate that commercial sheep wool was also incorporated into textiles in the 19thcentury. Previous investigations had implied that sheep wool was not used in Salish weaving.
The research was led by Dr Caroline Solazzo, a Marie Curie Research Fellow from York's Department of Archaeology, and a former Postdoctoral Fellow at the Museum Conservation Institute at the Smithsonian Institution.
Dr Solazzo said: "Dogs have a long history of interaction with humans, from companionship to guarding and hunting; but raising dogs for fibre production was a unique cultural adaptation in the Pacific Northwest. It is perhaps the unusual strategy that has led some to doubt the use of dog wool.
"We found dog hair in all textiles produced before 1862, but it was absent from blankets woven in the late 19th century to early 20th century. Noticeably, dog hair is absent from all plain twill-woven ceremonial-type blankets, indicating a strong preference for mountain goat hair, in both aesthetic and technical aspects."
Bio-archaeologist Professor Matthew Collins, from York's Department of Archaeology, said: "Protein mass spectrometry is a useful new tool for the study of textiles, and indeed cultural artefacts composed of proteins, such as silk, wool, ivory, leather, bone and parchment, in which the original source of production is difficult to identify.
"Despite the minute quantities of fibres used, the analytical sensitivity of the instrumentation at York was able to reveal the use of dog hair in Salish weaving."
The Coast Salish peoples are indigenous to the Pacific Northwest coastal areas of northern Washington and southern British Columbia, and are particularly notable for their large, finely woven blankets. In pre-contact times, the blankets were important items and their gift and distribution were present in all aspects of social life. As well as having a functional use, they were important in ceremonies such as marriages and funerals.
Co-author Susan Heald, Senior Textile Conservator, from the Smithsonian's National Museum of the American Indian, said: "Salish weaving is undergoing a resurgence. With this revival it is crucial to have the use of dog hair in older blankets confirmed.
"The research at York has finally provided confirmation for the Coast Salish oral history of the use of dog hair. It appears that dog hair mixed with goat wool was used in every day textiles, with goat hair alone being used in ceremonial textiles."
The existence of a woolly dog is supported by historic accounts of 18th century European explorers. The dogs were reported to be corralled on small islands off the coast to prevent inter-breeding with short-haired village dogs. The dog disappeared less than 100 years after the first contact with Europeans.
Dr Solazzo said: "Based on our results, the description of textiles in museum collections as 'dog hair blankets' should be reconsidered; in no case did we find a textile made solely of this fibre. It may have been the case that pure dog hair blankets were once more common, but considered of lower value and consumed in use and lost."